Deacons book ‘About the size’ considers the element of composition, size, alteration of form and above all abstraction. Deacon breaches the boundaries of bourgeois ceramic sculpture presenting a set of unfished or ‘ maquette like’ structures, whilst using the element of photography to augment the perception of size for the viewer.
At the top of this post is a series of sculptures I have been working on. encapsulating with the idea of subconscious building, primal instinct and memory, starting with a shape – building and coming to some form of intuitive conclusion thus, refining. What I feel works incredibly well with the selection of sculptures is how separate, they are individual but together create a language. ‘Considering the size of it’ has made me consider another element, that of photographic composition and how perhaps I want my sculptures to be portrayed within the catalogue?
For myself, the experience provided by an assemblage has a quality of conversation about it. Engagement between the sculptures seems to suggest some kind of conversation, some kind of objective relationship begins to take place. Like language and words, a pattern begins to form, that pattern and word ‘primal’.